MahaprabhuCaitanya at 05:22, 21 December 2016

2016-12-21T05:22:27Z

← Older revision		Revision as of 05:22, 21 December 2016
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	== Quotes from Srila Prabhupada's teachings ==		== Quotes from Srila Prabhupada's teachings ==
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	{{VaniQuotebox\|~~VANIQUOTESPAGETITLE~~\|~~QUOTESEENBYTHEREADER~~. '''(~~REFERENCE~~)'''}}		{{VaniQuotebox\|Lalita said: "Standing with His right foot placed below the knee of His left leg, the middle of His body curved in three places, and His neck gracefully tilted to the side, Krsna takes His flute to His pursed lips and moves His fingers upon it"\|The Supreme Personality of Godhead, who is standing before You full of transcendental bliss. The borders of His eyes roam from side to side, and His eyebrows move slowly like bumblebees on His lotuslike face. Standing with His right foot placed below the knee of His left leg, the middle of His body curved in three places, and His neck gracefully tilted to the side, He takes His flute to His pursed lips and moves His fingers upon it here and there. '''(Caitanya-caritāmṛta, Antya-līlā 1.166)'''}}

	{{VaniQuotebox\|~~VANIQUOTESPAGETITLE~~\|~~QUOTESEENBYTHEREADER~~. '''(~~REFERENCE~~)'''}}		{{VaniQuotebox\|This dhira-lalita trait in the personality of Krsna is described by Yajna-patni, the wife of one of the brahmanas who were performing sacrifices in Vrndavana\|This dhīra-lalita trait in the personality of Kṛṣṇa is described by Yajña-patnī, the wife of one of the brāhmaṇas who were performing sacrifices in Vṛndāvana. She tells her friends, "One day Śrīmatī Rādhārāṇī, accompanied by Her associates, was taking rest in Her garden, and at that time Lord Śrī Kṛṣṇa arrived in that assembly. After sitting down, He began to narrate very impudently about His previous night's pastimes with Rādhārāṇī. '''(Nectar of Devotion, Chapter 23)'''}}

	{{VaniQuotebox\|~~VANIQUOTESPAGETITLE~~\|~~QUOTESEENBYTHEREADER~~. '''(~~REFERENCE~~)'''}}		{{VaniQuotebox\|Krsna is compared to the dark cloud, and Lalita is compared to the cataki bird seeking only Krsna's company\|As far as breathing heavily is concerned, it is stated, "Lalitā (one of the gopīs) is just like a cātakī bird, which only takes water falling directly from the rain cloud and not from any other source." In this statement Kṛṣṇa is compared to the dark cloud, and Lalitā is compared to the cātakī bird seeking only Kṛṣṇa's company. '''(Nectar of Devotion, Chapter 27)'''}}

	{{VaniQuotebox\|~~VANIQUOTESPAGETITLE~~\|~~QUOTESEENBYTHEREADER~~. '''(~~REFERENCE~~)'''}}		{{VaniQuotebox\|A person who is very fond of dressing himself is called lalita, or a meticulous dresser. This characteristic was found in Krsna in two ways\|A person who is very fond of dressing himself is called lalita, or a meticulous dresser. This characteristic was found in Kṛṣṇa in two ways: sometimes He used to decorate Śrīmatī Rādhārāṇī with various marks, and sometimes, when He was preparing to kill demons like Ariṣṭāsura, He would take care to arrange His belt very nicely. '''(Nectar of Devotion, Chapter 24)'''}}

	{{VaniQuotebox\|~~VANIQUOTESPAGETITLE~~\|~~QUOTESEENBYTHEREADER~~. '''(~~REFERENCE~~)'''}}		{{VaniQuotebox\|As a heavy wind sometimes disperses a mighty cloud, so the heavy breath from Lalita's nostrils caused her to miss Krsna, who had disappeared by the time she recovered herself\|Kṛṣṇa is compared to the dark cloud, and Lalitā is compared to the cātakī bird seeking only Kṛṣṇa's company. The metaphor continues to say, "As a heavy wind sometimes disperses a mighty cloud, so the heavy breath from Lalitā's nostrils caused her to miss Kṛṣṇa, who had disappeared by the time she recovered herself. '''(Nectar of Devotion, Chapter 27)'''}}

	{{VaniQuotebox\|~~VANIQUOTESPAGETITLE~~\|~~QUOTESEENBYTHEREADER~~. '''(~~REFERENCE~~)'''}}		{{VaniQuotebox\|The fifth part (of Lalita-madhava) deals with the achievement of Candravali, the sixth with the achievement of Lalita, the seventh with the meeting in Nava-vrndavana and the eighth with the enjoyment in Nava-vrndavana\|The first part deals with festivities in the evening, the second with the killing of the Śaṅkhacūḍa, the third with maddened Śrīmatī Rādhārāṇī, the fourth with Rādhārāṇī’s proceeding toward Kṛṣṇa, the fifth with the achievement of Candrāvalī, the sixth with the achievement of Lalitā, the seventh with the meeting in Nava-vṛndāvana, the eighth with the enjoyment in Nava-vṛndāvana, the ninth with looking over pictures, and the tenth with complete satisfaction of the mind. Thus the entire drama is divided into ten parts. '''(Caitanya-caritāmṛta, Madhya-līlā 1.41)'''}}

	{{VaniQuotebox\|~~VANIQUOTESPAGETITLE~~\|~~QUOTESEENBYTHEREADER~~. '''(~~REFERENCE~~)'''}}		{{VaniQuotebox\|When there is an awakening of the various ecstatic features on Srimati Radharani's face and in Her eyes that are appropriate to a charming feminine attitude, the lalita ornament is manifest\|When there is an awakening of the various ecstatic features on Srimati Radharani's face and in Her eyes that are appropriate to a charming feminine attitude, the lalita ornament is manifest. '''(Caitanya-caritāmṛta, Madhya-līlā 14.191)'''}}

	{{VaniQuotebox\|~~VANIQUOTESPAGETITLE~~\|~~QUOTESEENBYTHEREADER~~. '''(~~REFERENCE~~)'''}}		{{VaniQuotebox\|Lalita chastised Krsna for staying in Mathura: "Simply by dancing in the circle of the rasa dance, You attracted Srimati Radharani's love. Why are You now so indifferent to my dear friend Radharani? She is lying nearly unconscious"\|Lalitā chastised Kṛṣṇa for staying in Mathurā: “Simply by dancing in the circle of the rāsa dance, You attracted Śrīmatī Rādhārāṇī's love. Why are You now so indifferent to my dear friend Rādhārāṇī? She is lying nearly unconscious, thinking of Your pastimes. '''(Caitanya-caritāmṛta, Antya-līlā 14.43)'''}}
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MahaprabhuCaitanya: Created page with "Category:Glorious Personalities Category:Glorious Personalities from Bhagavad Gita Category:Glorious Personalities from Srimad Bhagavatam Category:Glorious Perso..."

2016-12-21T05:10:05Z

Created page with "Category:Glorious Personalities Category:Glorious Personalities from Bhagavad Gita Category:Glorious Personalities from Srimad Bhagavatam Category:Glorious Perso..."

New page

[[Category:Glorious Personalities]]
[[Category:Glorious Personalities from Bhagavad Gita]]
[[Category:Glorious Personalities from Srimad Bhagavatam]]
[[Category:Glorious Personalities from Mahabharata]]
[[Category:Glorious Personalities - Pages Under Construction]]


INTRODUCTION TEXT TO BE WRITTEN

{{Personalitiesnav}}

Srila Prabhupada's books, lectures, conversations and letters reveal the qualities of this glorious personality as seen in the Vaniquotes '''[[Vaniquotes:Category:Lalita|Lalita]]''' category. An introduction from his teachings is given below in the following 8 quotes.

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== Quotes from Srila Prabhupada's teachings ==

{{VaniQuotebox|VANIQUOTESPAGETITLE|QUOTESEENBYTHEREADER. '''(REFERENCE)'''}}

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{{VaniQuotebox|VANIQUOTESPAGETITLE|QUOTESEENBYTHEREADER. '''(REFERENCE)'''}}

{{VaniQuotebox|VANIQUOTESPAGETITLE|QUOTESEENBYTHEREADER. '''(REFERENCE)'''}}

{{VaniQuotebox|VANIQUOTESPAGETITLE|QUOTESEENBYTHEREADER. '''(REFERENCE)'''}}

{{VaniQuotebox|VANIQUOTESPAGETITLE|QUOTESEENBYTHEREADER. '''(REFERENCE)'''}}

{{VaniQuotebox|VANIQUOTESPAGETITLE|QUOTESEENBYTHEREADER. '''(REFERENCE)'''}}


'''Lalita - [[Vaniquotes:Category:Lalita|explore more within this category]]'''.

{{GloriousPersonalitiesTotal}}

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← Older revision		Revision as of 05:22, 21 December 2016
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	== Quotes from Srila Prabhupada's teachings ==		== Quotes from Srila Prabhupada's teachings ==
	<!----------------- edit quote boxes below this line ----------------->		<!----------------- edit quote boxes below this line ----------------->
	{{VaniQuotebox\|~~VANIQUOTESPAGETITLE~~\|~~QUOTESEENBYTHEREADER~~. '''(~~REFERENCE~~)'''}}		{{VaniQuotebox\|Lalita said: "Standing with His right foot placed below the knee of His left leg, the middle of His body curved in three places, and His neck gracefully tilted to the side, Krsna takes His flute to His pursed lips and moves His fingers upon it"\|The Supreme Personality of Godhead, who is standing before You full of transcendental bliss. The borders of His eyes roam from side to side, and His eyebrows move slowly like bumblebees on His lotuslike face. Standing with His right foot placed below the knee of His left leg, the middle of His body curved in three places, and His neck gracefully tilted to the side, He takes His flute to His pursed lips and moves His fingers upon it here and there. '''(Caitanya-caritāmṛta, Antya-līlā 1.166)'''}}

	{{VaniQuotebox\|~~VANIQUOTESPAGETITLE~~\|~~QUOTESEENBYTHEREADER~~. '''(~~REFERENCE~~)'''}}		{{VaniQuotebox\|This dhira-lalita trait in the personality of Krsna is described by Yajna-patni, the wife of one of the brahmanas who were performing sacrifices in Vrndavana\|This dhīra-lalita trait in the personality of Kṛṣṇa is described by Yajña-patnī, the wife of one of the brāhmaṇas who were performing sacrifices in Vṛndāvana. She tells her friends, "One day Śrīmatī Rādhārāṇī, accompanied by Her associates, was taking rest in Her garden, and at that time Lord Śrī Kṛṣṇa arrived in that assembly. After sitting down, He began to narrate very impudently about His previous night's pastimes with Rādhārāṇī. '''(Nectar of Devotion, Chapter 23)'''}}

	{{VaniQuotebox\|~~VANIQUOTESPAGETITLE~~\|~~QUOTESEENBYTHEREADER~~. '''(~~REFERENCE~~)'''}}		{{VaniQuotebox\|Krsna is compared to the dark cloud, and Lalita is compared to the cataki bird seeking only Krsna's company\|As far as breathing heavily is concerned, it is stated, "Lalitā (one of the gopīs) is just like a cātakī bird, which only takes water falling directly from the rain cloud and not from any other source." In this statement Kṛṣṇa is compared to the dark cloud, and Lalitā is compared to the cātakī bird seeking only Kṛṣṇa's company. '''(Nectar of Devotion, Chapter 27)'''}}

	{{VaniQuotebox\|~~VANIQUOTESPAGETITLE~~\|~~QUOTESEENBYTHEREADER~~. '''(~~REFERENCE~~)'''}}		{{VaniQuotebox\|A person who is very fond of dressing himself is called lalita, or a meticulous dresser. This characteristic was found in Krsna in two ways\|A person who is very fond of dressing himself is called lalita, or a meticulous dresser. This characteristic was found in Kṛṣṇa in two ways: sometimes He used to decorate Śrīmatī Rādhārāṇī with various marks, and sometimes, when He was preparing to kill demons like Ariṣṭāsura, He would take care to arrange His belt very nicely. '''(Nectar of Devotion, Chapter 24)'''}}

	{{VaniQuotebox\|~~VANIQUOTESPAGETITLE~~\|~~QUOTESEENBYTHEREADER~~. '''(~~REFERENCE~~)'''}}		{{VaniQuotebox\|As a heavy wind sometimes disperses a mighty cloud, so the heavy breath from Lalita's nostrils caused her to miss Krsna, who had disappeared by the time she recovered herself\|Kṛṣṇa is compared to the dark cloud, and Lalitā is compared to the cātakī bird seeking only Kṛṣṇa's company. The metaphor continues to say, "As a heavy wind sometimes disperses a mighty cloud, so the heavy breath from Lalitā's nostrils caused her to miss Kṛṣṇa, who had disappeared by the time she recovered herself. '''(Nectar of Devotion, Chapter 27)'''}}

	{{VaniQuotebox\|~~VANIQUOTESPAGETITLE~~\|~~QUOTESEENBYTHEREADER~~. '''(~~REFERENCE~~)'''}}		{{VaniQuotebox\|The fifth part (of Lalita-madhava) deals with the achievement of Candravali, the sixth with the achievement of Lalita, the seventh with the meeting in Nava-vrndavana and the eighth with the enjoyment in Nava-vrndavana\|The first part deals with festivities in the evening, the second with the killing of the Śaṅkhacūḍa, the third with maddened Śrīmatī Rādhārāṇī, the fourth with Rādhārāṇī’s proceeding toward Kṛṣṇa, the fifth with the achievement of Candrāvalī, the sixth with the achievement of Lalitā, the seventh with the meeting in Nava-vṛndāvana, the eighth with the enjoyment in Nava-vṛndāvana, the ninth with looking over pictures, and the tenth with complete satisfaction of the mind. Thus the entire drama is divided into ten parts. '''(Caitanya-caritāmṛta, Madhya-līlā 1.41)'''}}

	{{VaniQuotebox\|~~VANIQUOTESPAGETITLE~~\|~~QUOTESEENBYTHEREADER~~. '''(~~REFERENCE~~)'''}}		{{VaniQuotebox\|When there is an awakening of the various ecstatic features on Srimati Radharani's face and in Her eyes that are appropriate to a charming feminine attitude, the lalita ornament is manifest\|When there is an awakening of the various ecstatic features on Srimati Radharani's face and in Her eyes that are appropriate to a charming feminine attitude, the lalita ornament is manifest. '''(Caitanya-caritāmṛta, Madhya-līlā 14.191)'''}}

	{{VaniQuotebox\|~~VANIQUOTESPAGETITLE~~\|~~QUOTESEENBYTHEREADER~~. '''(~~REFERENCE~~)'''}}		{{VaniQuotebox\|Lalita chastised Krsna for staying in Mathura: "Simply by dancing in the circle of the rasa dance, You attracted Srimati Radharani's love. Why are You now so indifferent to my dear friend Radharani? She is lying nearly unconscious"\|Lalitā chastised Kṛṣṇa for staying in Mathurā: “Simply by dancing in the circle of the rāsa dance, You attracted Śrīmatī Rādhārāṇī's love. Why are You now so indifferent to my dear friend Rādhārāṇī? She is lying nearly unconscious, thinking of Your pastimes. '''(Caitanya-caritāmṛta, Antya-līlā 14.43)'''}}
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Lalita - a glorious personality - Revision history

MahaprabhuCaitanya at 05:22, 21 December 2016

MahaprabhuCaitanya: Created page with "Category:Glorious Personalities Category:Glorious Personalities from Bhagavad Gita Category:Glorious Personalities from Srimad Bhagavatam Category:Glorious Perso..."